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Vsevolod Meyerhold by Prof Jonathan Pitches 9780815378334 (paperback 2018)

His acting career began when in he became a student of the Moscow Philharmonic Dramatic School under the guidance of Vladimir Nemirovich-Danchenko, co-founder of the Moscow Art Theater where Meyerhold later served as an actor. After leaving the Moscow Art Theater in , Meyerhold indulged himself in a number of theatrical projects, working as a director and producer as well as an actor.

Meyerhold's Biomechanics

The numerous projects of Meyerhold served as an arena for experiment and creation of new staging methods. Meyerhold was one of the most fervent advocates of symbolism in theater, especially when he worked as the chief producer of the Vera Kommisarzhevskaya drama theater in Meyerhold continued his theatrical innovations in , while working with imperial theaters in St. Petersburg, producing classical plays in an innovative manner, and staging works of controversial contemporary authors like Fyodor Sologub, Zinaida Gippius, and Alexander Blok. In their plays Meyerhold tried to return to acting in the traditions of Commedia dell'arte , rethinking them for the contemporary theatrical reality.


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His theoretical concepts of the "conditional theater" were elaborated on in his book On Theater in The Russian Revolution of made Meyerhold one of the most enthusiastic activists of the new Soviet Theater. Together, they tried to radicalize Russian theaters, effectively nationalizing them under Bolshevik control. However, Meyerhold came down with tuberculosis in May and had to leave for the south. In his absence, the head of the Commissariat, Anatoly Lunacharsky, secured Vladimir Lenin 's permission to revise government policy in favor of more traditional theaters and dismissed Kameneva in June After returning to Moscow, Meyerhold founded his own theater in , which was known as The Meyerhold Theater until Meyerhold fiercely confronted the principles of theatrical academism, claiming that they were incapable of finding a common language with the new reality.

Mayakovsky collaborated with Meyerhold several times, and it is said that Mayakovsky wrote his play, The Bed Bug , especially for him; Meyerhold continued to stage Mayakovsky's productions even after the latter's suicide.

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Meyerhold gave initial boosts to the stage careers of some of the most distinguished comic actors of the Soviet Union , including Igor Ilyinsky and Erast Garin. Both starred in his landmark production of Nikolai Gogol 's The Inspector General , as the "full of energy, mischievous, charming Ilyinsky left his post to the nervous, fragile, suddenly freezing, grotesquely anxious Garin.

Energy was replaced by trance, the dynamic with the static, happy jesting humour with bitter and glum satire". He argued that people feel physically before they feel emotionally, so that by practicing and assuming poses, gestures, and movements, emotions will automatically occur. He developed a number of body expressions that his actors would use to portray specific emotions and characters.

In Strike! Meyerhold was strongly opposed to socialist realism , and in the beginning of the s, when Joseph Stalin clamped down on all avant-garde art and experimentation, his works were proclaimed antagonistic and alien to the Soviet people. Qty: 1 2. Buy it now. Add to basket. Vsevolod Meyerhold by Prof Jonathan Pitches paperback Be the first to write a review About this product.

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