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Or, could we say that they are just the translation of a classic documentary film with added elements from entertainment TV to bring it up to date? A second axis of investigation would be to consider documentary as entertainment. What is deemed an entertaining documentary fast-paced, humorous yet informative?


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How and why is it perceived as such? How has the technological and cultural evolution of what constitutes entertainment in our current society been incorporated into documentary film?

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At the level of production, do documentary filmmakers include the necessity to entertain cf. Finally, a third thematic axis would be to examine the political consequences of this new hybrid form between information and entertainment? How have politics and entertainment been successfully combined creating politainment, a new genre that has been gaining in popularity? In what ways is entertainment a new way to get the spectator involved in the political process? How effective is it in delivering votes afterwards at the ballot box?

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We welcome individual proposals pertaining — but by no means limited — to the following thematic areas and their intersections with entertainment and documentary film:. Characteristics of the documentary of the 21 st century. Documentary parodies in the Documentary Now!

Although the journal is written entirely in English, the documentary films under study can come from countries that are not English-speaking. We are open to all types of approaches formal analysis, political science, media studies, semiotics, gender studies, race studies, etc Proposals should not exceed words, should include a short bibliography and should be sent both to David Lipson lipson. Snee eds.